critics claimed that Stephen Crane owed so much to Zola in writing Maggie a Girl of the Streets on the model of L’Assommoir.
Crane And Zola Limits Of Influence
While the aim of the previous chapters was to discuss the issue of the indigenous nature of American naturalism through the analysis of the major American works of the second half of the nineteenth century, the purpose of the present chapter is to show, by way of a comparative study of Zola’s L’Assommoir and Crane’s Maggie a (...)
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Sarah Kane
Critiques consacrées à la dramaturge britannique.
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Zola and Stephen Crane compared
27 juillet 2005, par toufik -
JUST A WORD ON A PAGE AND THERE IS THE DRAMA.’ SARAH KANE’S THEATRICAL LEGACY
10 mars 2003, par Graham Saunders’JUST A WORD ON A PAGE AND THERE IS THE DRAMA.’ SARAH KANE’S THEATRICAL LEGACY.
...Cleanse my heart, _ give me the ability to rage _ correctly. _ (Joe Orton, Head to Toe) Three students in a smoke-filled room _ Three girls on holiday _ A pregnancy on a Saturday night _ I knew that _ I knew that _ I already knew that. _ (Howard Barker, First Prologue to The Bite of the Night) _ Cover her face. Mine eyes dazzle : she di’d young _ (...) -
’Love me or kill me’ by Graham Saunders
6 décembre 2002, par Graham Saunders"Love me or kill me" Sarah Kane and the theatre of extremes by Graham Saunders
Manchester University Press
Blasted brought Sarah Kane to the theatre pages of the broad-sheets, the front pages of the tabloids, and to the notice of the nation.
Love Me or Kill Me is the first study of Sarah Kane. It covers all of Kane’s major plays and productions, contains formerly unpublished material and reviews, and looks at her continuing influence after her tragic early death. Locating the main (...)