Rubrique Sarah Kane Le 27 juillet 2005
critics claimed that Stephen Crane owed so much to Zola in writing Maggie a Girl of the Streets on the model of L’Assommoir. Crane And Zola Limits Of Influence While the aim of the previous chapters was to discuss (...)
Rubrique Sarah Kane Le 10 mars 2003
’JUST A WORD ON A PAGE AND THERE IS THE DRAMA.’ SARAH KANE’S THEATRICAL LEGACY. ...Cleanse my heart, _ give me the ability to rage _ correctly. _ (Joe Orton, Head to Toe) Three students in a (...)
Rubrique Sarah Kane Le 6 décembre 2002
"Love me or kill me" Sarah Kane and the theatre of extremes by Graham Saunders Manchester University Press Blasted brought Sarah Kane to the theatre pages of the broad-sheets, the front pages of the tabloids, and (...)

Critiques consacrées à la dramaturge britannique.
"Love me or kill me" Sarah Kane and the theatre of extremes by Graham Saunders Manchester University Press Blasted brought Sarah Kane to the theatre pages of the broad-sheets, the front pages (...)
Sarah Kane et le théâtre de la cruautéIl est possible de comparer Sarah Kane et Antonin Artaud sur de nombreux points, comme cela a déjà été fait d’ailleurs. En effet, le théâtre de la cruauté présente (...)
’JUST A WORD ON A PAGE AND THERE IS THE DRAMA.’ SARAH KANE’S THEATRICAL LEGACY. ...Cleanse my heart, _ give me the ability to rage _ correctly. _ (Joe Orton, Head to Toe) Three (...)
critics claimed that Stephen Crane owed so much to Zola in writing Maggie a Girl of the Streets on the model of L’Assommoir. Crane And Zola Limits Of Influence While the aim of the previous (...)